Antiphonal is a two site multi-channel audio installation of poetry and field recordings. Twelve poems were commissioned in response to the return of the Lindisfarne gospels to the North East. The installation, cuts, layers and remixes the poems over a backdrop of field recordings to create an immersive experience of poetry.
The first site is a watch tower on the Holy Island of Lindisfarne in the North East of the UK. The tower has panoramic views around the island and surrounds. The second site is a crypt beneath the Parish Church of Saint Aiden in Bamburgh.
The piece was commissioned and supported by the Newcastle Centre for the Literary Arts and would not have been possible without the invaluable assistance of the following people and numerous others.
Linda Anderson (director of the NCLA)
Bill Herbert with whom the poems were mixed and cut.
Stevie Ronnie with whom many of the early concepts were discussed.
Benjamin Freeth and Peter Evans who installed the work and contributed to the technical and aesthetic development.
Finally the twelve poets whose work made the project possible.
Optimism Skywards from tom schofield on Vimeo.
'Optimism Skywards' is an installation artwork which intervenes in participants’ twitter messages to the Angel of the North by giving them physical form and firing them skywards in an optimistic attempt to get them closer to the angels.
A computer programme checks for new twitter messages (@mentions and direct messages) to the @_dearangel twitter account. When a new message is received, the tweet is automatically printed on to a small piece of paper, dropped into the barrel of an 'air cannon' and fired skywards. It is hoped that the combined impact of the deluge of tweets directed at @_dearangel will cause the ceiling of the bank vault in which the installation is located to be eroded, finally allowing access to the sky.
Optimism Skywards explores the relationship between physical space and the social space of twitter. Physical metaphors underscore the structure and language of twitter (following, direct messaging) and the @_dearangel twitter account has become a destination point for correspondence. Optimism Skywards attempts to fulfil Dear Angel’s function by redirecting tweets a step further towards the angels.
All images below are the copyright of Colin Davison @ www.rosellastudios.com
I wish to acknowledge the invaluable support of Suzy O'Hara and Stevie Ronnie
Neurotic Armageddon Indicator V1.0 from tom schofield on Vimeo.
Neurotic Armageddon Indicator (NAI) is an installation artwork which visualises the ‘Doomsday Clock’, a symbolic clock maintained by an academic journal, ‘The Bulletin of Atomic Scientists’. The Doomsday Clock represents the proximity to armageddon expressed as minutes to midnight where midnight represents nuclear holocaust. The clock is ‘set’ by a panel of scientists and experts at long intervals, usually years apart. The artwork is in two pieces. One is a small computer programme running on a server which ‘scrapes’ the content of the bulletins home page as often as possible. The software checks the current status of the clock and then sends the results over the internet to the second part of the work, a small wall clock which displays the time of the Doomsday Clock on a red LED clock display. This process repeats as fast possible so that the device shows in near-real-time the status of the doomsday clock. At the time of writing, it is currently five minutes to midnight.
NAI is also being developed to provide a locus point for discussion of the end of the world. To this end I have developed a second indicator which can be set by participants at any time
, over the web. Their time will feed into a physical clock located in Culture Lab, Newcastle, UK and they may justify their input and contribute to a time line, similar to the one published by the bulletin of atomic scientists.
null by morse from tom schofield on Vimeo.
A series of messages are send using an antique morse signalling lamp. The messages refer to the inter-related histories of morse code, disaster and war and include the final transmissions of the titanic and the first ever message publicly sent via morse' "what hath God wrought?". The messages are decoded via an ios/android app.
The Quiet Walk from 12deadpixels on Vimeo.
The Quiet Walk (TQW), is an interactive mobile artwork initiated by Alessandro Altavilla for sonic explorations of urban space. The goal of TQW is to find the “quietest place”. An interface on the mobile device directs the user to avoid noisy areas of the city, giving directions to find quiet zones. Data collected by the system generates a geo- acoustic map of the city that facilitates the personal recollection of sonic memories. The system is comprised of two components; an iPhone running a custom application programmed in openFrameworks, and a web server collecting the GPS and acoustical data. A heatmap of city sounds is constructed collaboratively by participants. An example can be found here